The Devil offers a man to help him if he can show him to love.

In this second part, the devil (Alfonso Zayas) returns to earth in search of a cure for his loss of masculinity; while Gerardo (Jorge Rivero), the rich and handsome character, continues to seduce his beloved.

After regaining his manliness, he escapes from hell Satan for embezzling Secretary of infernal hacienda, being chased by a couple of poor devils good for nothing, and took refuge in the cabaret ends up working as a transvestite.

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暂无剧情简介

A story of revenge and ambition, seduction and betrayal; all told from the perspective of an offended and abused woman named Altagracia. Altagracia represents the hundreds of thousands of Mexican women who have been victims of the violence by faceless men who are protected by impunity. But Altagracia, transformed into a strong-willed, ruthless man-eater known as La Doña, will seek out each and every one of these men to bring them to justice.

暂无剧情简介

Maria Laura "Mala" is an actress with little luck, but she is successful working for other women, seducing their boyfriends to know if they are faithful or not. But everything changes when her dream to perform in her acting career depends on a job to be performed with Santiago who breaks the pattern and shakes her professional convictions.

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The film is the book and at the same time it is not. The transposition of the work on paper to the screen is, in this case, the occupation of the conceptual artist Isidoro Valcárcel Medina. Through on-screen texts and a succession of voices that read different passages, Medina presents the filmic adaptation of Alain Robbe-Grillet's book. The novel is a tremendously optical reading of objects and landscapes made by a jealous husband who deforms and subjectivizes reality. The film objectifies the texts in the same way by putting them as they are on the screen, but so is the reading of free texts and languages ​​and associations. As the poster that the artist himself made says: “In 1957 Alain Robbe-Grillet published La Celosía. In 1972 Isidoro Valcárcel has taken it to the cinema.” A film that is an exercise on dissociation and the duration of the shot.